André Kertész: The Polaroids, de André Kertész
Nova York: W. W. Norton & Company, 2007.

Closer, de Elinor Carucci
São Francisco: Chronicle, 2009.

Close Up, de William Klein
Londres: Thames & Hudson, 1989.

Exils: photographies, de Josef Koudelka
Paris: Centre National de la Photographie, 1988.

Hope photographs
Londres: Thames & Hudson, 1998.

Immediate Family, de Sally Man
Nova York: Aperture, 1992.

In the American West, de Richard Avedon
Nova York: Abrams, 1985.

L’Enfant et la colombe, de Robert Doisneau e James Sage
Paris: Chêne, 1978.

Le Passécomposé, de Jacques-Henri Lartigue
Paris: Photo Copies, 1987.

Life Library of Photography: Photojournalism
Nova York: Time-Life Books, 1971.

Like a One-Eyed Cat: 1956-1987, de Lee Friedlander
Nova York: Abrams/Seattle Art Museum, 1989.

Photographs: 1970-1990, de Annie Leibovitz
Nova York: Harper, 1991.

San Clemente, de Raymond Depardon
Paris, 1984.

Seiichi Furuya: mémoires 1995, de Seiichi Furuya
Londres: Thames & Hudson, 1995.

Son of Bitch, de Eliott Erwitt
Nova York: Thames & Hudson, 1975.

Streetwise, de Mary Ellen Mark
Nova York: Aperture, 1985.

Thank You, de Robert Frank
Zurique: Scalo, 1996.

The Ballad of Sexual Dependency, de Nan Goldin
Nova York: Aperture, 1989.

Under a Grudging Sun: Photographs from Haiti libéré, 1986-1988, de Alex Webb
Nova York: Thames & Hudson, 1989.

Visage d’Asie, deHenri Cartier-Bresson
Paris: Chêne, 1972.

Walker Evans: Polaroids, de Walker Evans
Berlim: Scalo,2002.